Mostrando las entradas con la etiqueta blues. Mostrar todas las entradas
Mostrando las entradas con la etiqueta blues. Mostrar todas las entradas

14-09-07

The Impressions - keep on pushing



Fun da men tal. Impressions forever!.

John Bush review:

Already a celebrated songwriter by the time of the third Impressions album, Curtis Mayfield introduced a political element to his material with the Top Ten hit "Keep on Pushing." An anthem of the burgeoning civil-rights movement (the 1964 Civil Rights Act was signed several weeks after its release), "Keep on Pushing" cemented his blend of gospel optimism with a relentless spirit of self-improvement. Though it was the only message song present, the album featured all the hallmarks of an Impressions set: impeccably smooth harmonies, the dynamic horn charts of Johnny Pate, and many more of Mayfield's irresistible songs (each with a clever spin on the usual love lyric as well as a strong sense of melody). "Talking About My Baby," the album's other big hit, was an adoring love song driven by a simple chorus and delivered by soul music's greatest harmonists. The simple ballad "I've Been Trying" was one of the most delicate and powerful the group had ever delivered, and the gospel march "Amen" became a Top Ten pop hit in early 1965 after its use in the Sidney Poitier film Lilies of the Field (for which Poitier became the first African-American to receive an Academy award). Keep on Pushing was the Impressions' first Top Ten album hit, and an excellent introduction for pop audiences just waking up to the inspirational power of soul music's finest group.

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The Impressions - keep on pushing

07-09-07

Baby Huey



¿Que ya no publico nada meritorio? No, no, no. Este tipo pesaba 181 kilos y murió de un ataque al corazón poco después de terminar las sesiones para un disco producido por Curtis Mayfield. Una leyenda sublime.

Download:
Baby Huey (a.k.a. James Ramey) - The Baby Huey Story (album)

01-09-07

Nina Simone - The Blues


Nina Simone es una grande, nadie debería tener dudas; a veces en la música las cosas parecen ser absolutas, reveladas, sin posibilidad de polémicas, eso -me parece- se llama amor y a Nina Simone la amo. Hace 50 años hacía un debut impresionante con Little Girl Blue... no sé si soy ligero con el juicio, pero es el mejor debut que conozco. En fin, acá, como homenaje, una de las mejores compilaciones que se han hecho: canciones de la época 65-66, blues-based shit, como debe ser.

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07-08-07

Peter Case - Let us now praise sleepy John 2007

Yep Roc Recs. 2007
[Download]
pass: www.dancingmokey.com


"
In 2001, Peter Case produced an all-star tribute album honoring the music of Mississippi John Hurt, Avalon Blues, so with a title like Let Us Now Praise Sleepy John, it's not hard to imagine he's chosen to pay homage to another great country blues artist, Sleepy John Estes. As it happens, the album features ten new songs from Case (along with one traditional blues tune, "Get Away Blues"), and the album's blues influences are generally more a matter of approach and attitude rather than the adoption of any strict musical templates, but Case does follow the "less is more" approach of classic blues. Most of the songs feature just Case and his acoustic guitar, and the lyrics often dwell on bad luck and trouble as they manifest themselves in the modern world, from the multi-millionaire jailbird in "Million Dollars Bail" and the knocked-down street people of "Underneath the Stars" to the washed-up boxer of "Palookaville" and the big city malaise of "Ain't Gonna Worry No More" (which concludes with the spectral appearance of Lightnin' Hopkins at a local saloon). Let Us Now Praise Sleepy John suggests the lean musical structures of Case's 1998 album Full Service No Waiting fused with the storytelling sense of 1989's The Man with the Blue Post-Modern Fragmented Neo-Traditional Guitar, and the result is one of Case's most satisfying albums in years; as a lyricist, Case hits his targets dead on with these songs, and musically the Spartan arrangements favor the sturdy beauty of his melodies, and when he does bring in an accompanist -- Richard Thompson on "Every 24 Hours," Duane Jarvis on "I'm Gonna Change My Ways," Carlos Guitarlos on "Underneath the Stars" -- he makes their presence count. And if Let Us Now Praise Sleepy John is dominated by the realities of life on the streets in Big City U.S.A., Case also finds some genuine inspiration in the ineffable mysteries of life, and "Every 24 Hours" and "That Soul Twist" bookend this album with an unpretentious beauty and a simple joy in world that changes with every sunrise; this is a splendid album from a truly gifted artist. " Allmusic.com